I always start my work in a state of curiosity.
The basic idea of this work is to photograph people in such a way that it is not about photographed individuals, their gender or appearance.
I take pictures under water because its density changes the movements and postures of my protagonists so that they look sculptural.
The very limited distance view under water closes the background visually and makes the scenes appear as if on a stage.
In addition, the density of the water reduces the photographic sharpness and creates a sketchy, painterly effect.
I overdraw colors in post-production until the water appears more viscous, which should give the images a dreamlike, surreal effect.
